Showing posts with label prose. Show all posts
Showing posts with label prose. Show all posts

Tuesday, April 29, 2025

working an idea

I have an idea. I am experiencing ideation. 

Am I ideating? Do people like to ideate?

Ideas. Where do they come from? One is probing my noodle right now.

I think it wants to use me for its own purposes. Or perhaps it wants to escape my head.

I don’t think the idea is mine. I think it is on its own, seeking someone to use.

But what is it, exactly? What am I experiencing? I close my eyes. But my eyes won’t stay closed. I could continue to write with my eyes closed. I try it briefly, and I don’t make it to the end of the sentence before the eyes pop open. They see what they already knew would be there. But what if what was there was the idea that is seeking a vehicle for expression?

I have had ideas that want to be used. Some of them want to be abused. Is that when I am ideating — when I am thwacking an idea with a switch?

I would ideatize. I shouldn’t be so abstract. I should idealate. I could stand on a chair and be a concrete detail, my feet in socks on the slippery vinyl seat. I could also call upon my ideativity, raise a horn to my lips and blow. The vibration of the sound makes my lips itch.

What’s the idea?  I suppose it is open, that I am scooping into its resistant flesh. If I look closely enough, perhaps with the right peering equipment, I will descry the operating mechanism or the operating principle. Perhaps I will see its song, the vibrato making it a blur.  

Sunday, February 09, 2025

Process Notes for Autobiography of a Book

Maw Shein Win edits a column called “Process Notes” for Periodicities, an online magazine about poetry. 

Each month Maw lines up a poet to talk about their new book, how they came to write it, the way they went about it, etc. When she asked me to contribute a note about writing Autobiography of a Book, Maw said the column focused on poetry, and Autobiography of a Book is prose, but she thought it was poem-like and was curious to read a discussion of my process. 


This is the first paragraph of my process note:


When Book came to me several years ago, it came to me the way my poems often do, with a little idea that, when I hit the keyboard, began to play, and the more it played itself through me, the more that little idea turned out to have different facets, different approaches, even different rules. That’s how poetry works for me, as play. Even when the poem addresses a serious topic, I engage playfully. Poets are supposed to learn all the rules before they break them, or so the advice goes, and in classes I did dutifully bang away at sonnets, iambic pentameter, all that. But counting stresses me out. Some claim that for them constraints are freedom. But shackling myself with preconceived notions does not liberate my mind. English by itself, I always say, is a constricting form. And so, poetry. I wouldn’t be writing poetry if poetry meant strict rhyme and meter. For me, poetry means experimentation, investigation, invention, play. That’s freedom.


You can read the rest at periodicities: a journal of poetry and poetics

Tuesday, October 25, 2022

short prose about t-shirts at Lost Paper

A paragraph about holey t-shirts appears at Lost Paper. 

Authors appear in alphabetical order, so scroll down to find "Glenn Ingersoll."


Lost Paper is edited by Zee Zahava who also does brass bell haiku. 

Thursday, June 30, 2022

Two chapters of Autobiography of a Book in Cerasus

Two chapters of Autobiography of a Book appear in Cerasus Magazine #4, 2022, edited by John Wilks:

“in which the book looks forward to the mouth, its ruminations, and passage therefrom”

“in which the book, peevish, declares a preference"


Cerasus is a hard copy magazine. There is an ebook option. You can order copies at 

the issue #4 page








Thursday, November 18, 2021

“The Cowardly Lion and the Courage Pills,” a short story reading

 

2021 is the 50th anniversary of Oziana, an annual collection of Oz short stories published by the International Wizard of Oz Club. To celebrate, authors were asked to read their stories.

“The Cowardly Lion and the Courage Pills” appeared in Oziana 1982. Which means I wrote it when I was 16? It was fun to read. And some fellow Ozzies assure me it’s fun to listen to.

You can check out more of the readings here: Oziana 50th anniversary playlist

Wednesday, September 22, 2021

Autobiography of a Book in Mercurius

Three chapters of Autobiography of a Book appear at Mercurius.

The editors write:

Mercurius Magazine was founded in May 2020 with the aim of building a community of writers and artists around the themes of “transformation” and “vitality”. The site publishes a wide range of work, from avant-garde visual poetry to contemporary surrealism and absurdism, literary essays, journalism, short stories and flash fiction. … We seek to take down the barriers between high art, literary culture and current affairs, not by forcing them together in unholy matrimony, but by providing a shared space. … Perhaps Mercurius is less a magazine than an ever-evolving social experiment, a community building project.

Friday, September 17, 2021

Two chapters of Book in GAS

GAS: Poetry, Art, and Music has posted two chapters from Autobiography of a Book, “in which the book admits to a difficulty” and “in which the book observes the translation of favorites”.

Monday, March 22, 2021

“Autobiography of a Book” at fresh.ink

Three chapters of “Autobiography of a Book” at fresh.ink:

“in which the book reviews its positions”

“in which the book, awake at last, revisits other readers"

“in which the book asserts a certain capability and exercises it”

The editors describe their mission: 

“We see fresh.ink as the gateway into a whole universe of great literary writing. … [S]tories have been selected from print and online magazines all over the world, [and are] reprinted [at fresh.ink] for your rediscovery. By giving them new life, we hope to help you find new authors to follow and more magazines to explore.”


The chapters originally appeared in Hawai’i Pacific Review


[fresh.ink appears to have ceased publication and is offline. -- 12/22/23 update]

Sunday, August 02, 2020

Autobiography of a Book in Otoliths

Otoliths includes three chapters from Autobiography of a Book

in issue 58, southern winter 2020:


"in which the book snuffs a wonder bundle"

"in which the book in in" 

"in which the book is rescued by butterfly"


Otoliths is published out of Australia by editor Mark Young. Young describes his goals for Otoliths this way: The ezine should “contain a variety of what can be loosely described as e-things, that is, anything that can be translated (visually at this stage) to an electronic platform. If it moves, we won't shoot at it.”


update: Otoliths #58 is now available in a print version

Saturday, July 11, 2020

Autobiography of a Book in Witty Partition (formerly The Wall)

Witty Partition (formerly The Wall) includes three chapters from Autobiography of a Book in their issue #11, vol 2, Summer 2020:


The editors in their introduction to the issue prepare the reader: “Our Fiction section features a light-hearted romp, excerpted from Glenn Ingersoll’s Autobiography of a Book—with that very book as primary protagonist.”

Romp on!

Monday, June 08, 2020

Autobiography of a Book

The project I’m working hardest on finding a place for in the world is Autobiography of a Book.

Autobiography of a Book is the story of a book willing itself into existence. Every word Book presents brings it closer to its dream, its dream, that is, of being what it claims to be, a real, honest-to-goodness book. 

Book came to me as a voice and demanded I type as it spoke. I usually scoff at people who claim their writing is dictated by the muse, so I find it funny to be saying something like that myself. But Book is a character, in both senses of the word, and I was ready to listen and to work. Whatever it said, I was happy to go along. 

I did wonder during the process if Book would achieve a respectable book length. At almost 44,000 words, I think it did. Short for a novel these days. But then, is it a novel? I struggle with how to characterize Book. There's nothing fictional in it. Everything Book says happened because Book is all language and anything Book says is undeniably Book, even if impossible. Does Book have human arms and legs? Yes, when Book finds it convenient to imagine so; when imagination is defeated, Book borrows the reader’s hand, the reader’s heart. 

Book is written as prose, but it does read a bit like poetry. It must be prose poetry! 

Also unlike a novel (perhaps like a life?), Book does not have a plot. Book has ideas, actions. Book has thoughts and more thoughts and tries to work them out. Book’s parts often read as essays. Perhaps that’s the way Book would be most properly classified — as a collection of personal essays, the personal essays of someone whose person is no more (somehow more?) than those essays.

Because the essays usually read as separate propositions I am submitting them in small batches to literary magazines and ezines and trying to convince editors that the excerpts can stand alone. I usually send out three pieces at a time. Although I think Book is best understood in more than one dose, I do occasionally send to sites that will only allow one piece at a time. 

Except for a live reading series, most of the places that have chosen Book excerpts have so far published all I sent them. I expected more picking and choosing. The editors seem to treat the submission as one unit. As I said, each piece of Book will try out a particular proposition. Yet the pieces don’t always come to the same conclusions. Book changes its mind, attempts to reinvent itself, gets confused, forges forth, raves, whines, whispers, wants not to be too seriously — because Book wants to live a full life.  

These online journals have included Book excerpts:




fresh.ink has reprinted the chapters that originally appeared at Hawai’i Pacific Review


**

How many places have rejected at least one piece of Book? More than 100 ...

I have submissions out to more. I expect more rejections (got another as I prepped this post). Yet I know Book is good, interesting, weird, funny, sad. I know somebody else will decide it fits with what they want. I owe it to Book to find that editor.

When Book is read that is when Book really lives. That is the true life of Autobiography of a Book — a reader making it part of theirs. 

Whether an editor accepts or rejects, is delighted or bored, confused or enthralled, so long as they have been a reader, they have given Book life. 

Book thanks them, as it thanks every reader, for its life. 

**

I have been collecting possible epigraphs for Book. I’m hardly the first to engage with a book as a living creature.  


[blog post updated 10/29/22]

Friday, March 06, 2020

Six chapters from “Autobiography of a Book” at Inverse Journal

At Inverse Journal you can now read
these six chapters of “Autobiography of a Book”:

“in which the book’s thought presents horns and a cymbal”
“in which the book compares its words to yours”
“in which the book sees the reader come to a similar fate
“in which the book releases the kickstand” 
“in which the book’s efforts are exhausted, temporarily” 
“in which the book goes from house to house” 

Inverse Journal is an international literary journal based in Kashmir. Last year the Indian government cracked down harshly on Kashmir. Editor/publisher Amjad Majid shifted the focus of the journal to getting word out about what’s been happening there. You can read some of this information on the homepage under “Kashmir 2019 Siege.” 
Though the siege continues, the editor has decided to put energy anew into literature, thus this publication of excerpts from “Autobiography of a Book.” 

Wednesday, August 14, 2019

Thousand, a ten-volume prose-poem-epic by Glenn Ingersoll

100 words a day for a thousand days. That’s why it’s called Thousand. No other title could compass it. 

It begins when there’s a knock on the door. Somebody you know? Or no one you will ever meet? Before you go to the door you will need a drink.

A transcendental butler, a tea party for gnomes, a comet with perfect understanding, a boy who climbs down from the sky, a tour guide for the end of the world, an ant as key to a secret box, lost languages, a barnstormer, washing dishes. 


Originally a project for Glenn Ingersoll’s LoveSettlement blog, Thousand has been realized as a ten-volume book by Mel C. Thompson Publishing. Each plain-black volume neatly contains 10,000 of the whole’s 100,000 words. 

Thousand is available from Amazon.

Series: Thousand (Book 1)
Paperback: 104 pages
Publisher: CreateSpace Independent Publishing Platform (September 12, 2018)
Language: English
ISBN-10: 1727326571
ISBN-13: 978-1727326574

Also available as an ebook from Smashwords


Monday, May 27, 2019

Caveat Lector features three excerpts from Autobiography of a Book

Three excerpts from Autobiography of a Book appear in the Spring 2019, v. 29 no. 2, issue of Caveat Lector.

They appear under the Essay heading, introduced by a note I wrote to give a reader a sense of what Book is up to. 

Here’s a direct link to the excerpts: link