a political history of American poetry

I started to weigh in on one of the discussions about what "School of Quietude" versus "post-avant" mean aesthetically &/or politically, but as I wrote my comment I watched it wander away from the terms supposedly at issue. So I canceled out and came here.

Poetry is not one thing. Lots of different kinds of things are called Poetry. I've made that point before and it needs to made frequently, I guess. Still, I have to say I'm losing interest in the aesthetic arguments. I'm finding myself more interested in the politics of poetry. "School of Quietude" attempts to name a political as well as aesthetic group -- the people who win the prizes, the people who get tenure, the people who shack up at the swanky artist retreats, the people who cast their shadows onto the slick white pages of the prestige publications.

Are the most socially linked also the most frequently published? I know frequently-publishing poets like lyn lifshin and Sheila Murphy don't get the critical notice that much-less-frequently publishing poets like ... oh, who? ... Mark Strand? Robert Hass? ... seem to be able to take for granted. It's not quantity, it's quality! Yeah, well, I get ever more suspicious about the quality-wins-out argument. The tides of history will swirl away leaving the Best standing on their sea-weedy hillocks, eh? At present we really don't know which of us (them!) are giants?

The two giants-in-retrospect of 19th century American poetry seem to be: Emily Dickinson and Walt Whitman. Would either have boasted enough connection to be called a political force in the American poetry scene of their time? Though I've now read a biography of each, I can't say as I know. I'd hazard a no. Emily is easiest -- she hid out. She did have a handful of literary correspondents but she doled out her work in tantalizing dribs & drabs -- the mystery of Dickinson gave the publication of posthumous books an extra-literary excitement. Whitman, on the other hand, was a self-promoter. And he had in his corner (at least at times) the Colossus of American lit, Ralph Waldo Emerson. But one doesn't get the sense that he was part of the "in" crowd, politically speaking.

A political history of American poetry would be a different history of American poetry. Who influenced who -- not aesthetically but career-wise? Who got the most pages in the anthologies? Who racked up the most awards? Who sold the most books? Who got written about? Leaving aside the aesthetic programs, who got the goods?

The giants of a political history of American poetry -- who would they be?