Cabildo Quarterly has posted two of my found poems:
“I did not interview the dead”
and
“The ‘Where is it’ index showing the geographical positions of all the important localities”
Friday, April 17, 2020
Thursday, April 16, 2020
Glenn Ingersoll page at Living Senryu Anthology
There is now a page of Glenn Ingersoll poems at the Living Senryu Anthology.
If you are familiar with haiku, you’ve got a start on senryu. In fact, much of what we think of haiku in the West is, according to anthology’s editors, actually senryu. Do visit the page at the anthology that both describes senryu and distinguishes it from haiku.
I first discovered the Living Haiku Anthology and a couple of months ago I applied to be included. Editor Don Baird wrote back to say many of the poems struck him as senryu, though he did say that there is overlap in the two forms. I followed the link he provided to the Living Senryu Anthology and enjoyed browsing the poems collected there. Today I am happy to learn that my work has been included in it.
My thanks to Bryan Rickert and the rest of the editorial board.
At present I have the “I” section of the index all to myself.
Saturday, March 14, 2020
two one-line haiku at Bones
In issue 19 the poems are arranged by each poet's first name; mine appear on p. 59 & 60.
This is the second time my haiku have appeared in Bones. I never posted a link to the first, so I'll do that now. Back then it was called Bones: journal for contemporary haiku:
The poems appear on pages 3 and 38. They are rather weirder than the newer poems. It’s pretty cool that Bones remains open to poems that are rather weird.
Friday, March 06, 2020
Six chapters from “Autobiography of a Book” at Inverse Journal
At Inverse Journal you can now read
these six chapters of “Autobiography of a Book”:
“in which the book’s thought presents horns and a cymbal”
“in which the book compares its words to yours”
“in which the book sees the reader come to a similar fate”
“in which the book releases the kickstand”
“in which the book’s efforts are exhausted, temporarily”
“in which the book goes from house to house”
Inverse Journal is an international literary journal based in Kashmir. Last year the Indian government cracked down harshly on Kashmir. Editor/publisher Amjad Majid shifted the focus of the journal to getting word out about what’s been happening there. You can read some of this information on the homepage under “Kashmir 2019 Siege.”
Though the siege continues, the editor has decided to put energy anew into literature, thus this publication of excerpts from “Autobiography of a Book.”
Thursday, March 05, 2020
Monday, January 13, 2020
—ah: anthology of American Haiku, Mondo edition
—ah: anthology of American Haiku, edited by Jonathan Hayes and Richard Lopez, published by Poems-for-All Press, San Diego, California, was originally printed in 2016 in a very small format, that is, it was about the size of a matchbook.
I just received in the mail the second edition, the Mondo edition, so called because it is three or four times the size of the first, that is, about the dimensions of a postcard.
Fun that my haiku get the last page, the last words, as it were.
If you want to write to editor Jonathan Hayes: haiku@poems-for-all.com
Tuesday, December 31, 2019
2019 in publications
A quick list of the places that included something of my work in 2019:
Futures Trading
Columbia Journal
The Curly Mind
Cleaver Magazine
Poetic Diversity
Scarlet Leaf Review
Humble Pie
Blue Unicorn
Caveat Lector
Angry Old Man
Bindweed
Shot Glass Journal
Origami Poems
riverbabble
EgoPHobia
Otoliths
Literary Yard
Failed Haiku
sPARKLE + bLINK
Bay Areas Generations program
The Furious Gazelle
The Berkeley Times
The Free Library of the Internet Void
Packingtown Review
The Big Windows Review
BlazeVOX
Rusty Truck
The Pangolin Review
MARY: a journal of new writing
a Viable chapbook from Zoetic Press
Our Lady of Telegraph Avenue: tributes to Julia Vinograd
an anthology published by Zeitgeist Press
an anthology published by Zeitgeist Press
and finally, but most majorly, the big book:
Thousand, a ten-volume prose poem epic, from Mel C Thompson Publishing
If you go back through the blog year you will find links to the zines and the poems.
Monday, December 23, 2019
Sunday, November 24, 2019
Our Lady of Telegraph Avenue: tributes to Julia Vinograd, contains “Old Blues” by Glenn Ingersoll
A release party for Julia Vinograd’s first posthumous collection, A Symphony for Broken Instruments, and an anthology celebrating her life and work, Our Lady of Telegraph Avenue, happened on 2pm, October 20th at Himalayan Flavors, 1585 University Ave. in Berkeley, California.
Zeigeist Press publisher Bruce Isaacson is responsible for putting together A Symphony for Broken Instruments, a selected works with a section of previously unpublished poems. The book is 384 pages total, including art by Deborah Vinograd and Chris Trian. At the same event, editor Deborah Fruchey presented Our Lady of Telegraph Avenue, full of tributes (poetry & prose) to, for, and about Julia Vinograd by a slew of friends and local writers.
The above is an edited version of what appears on the Zeitgeist Press website.
My poem, “Old Blues,” appears in Our Lady of Telegraph Avenue, p. 54 - 55. “Old Blues” uses one of Julia’s recurring characters, although he isn’t actually in the poem, rather other characters (Very Thick Blacks, Vicious Violet, etc.) wonder where he’s gotten off to.
I wanted to write something for Julia, and I thought it would be nice if it was included in the announced anthology. I considered reviewing my history with Julia, such as it was, meeting her first at a reading she gave at a Berkeley Senior Center the week I moved to Berkeley, buying each of her new books as it came out, selling her a chapbook which she praised. But that stuff wasn’t resolving into a poem. So I pulled out my personal anthology and reread poems of hers I had copied out. What did I like about her poems? One thing I liked was the way Julia Vinograd wrote about music, her wild metaphors creating a separate musical world instead of using music-related terms and concentrating on the instrument. It was a sort of grounded surrealism, grounded in that she was digging into the music to bring out feelings and images, rather than spinning words purely out of headspace. Maybe I could try something similar? I love using wild metaphors in my own poems.
Here’s a stanza from “Old Blues”:
Old Blues is on the bus! announces Vicious Violet.
She slaps a bus schedule on the table like a trump card.
He’s playing for the missing,
that horn of his calling out all the stops,
horning in on the dreams
travelers are trying to settle down in,
vibrating their thighs,
unzipping their duffel bags to air out
the musky little tales they keep in a curl.
*
Both books, Symphony for Broken Instruments and Our Lady of Telegraph Avenue: tributes to Julia Vinograd, are published by Zeitgeist Press and are available from their website.
Wednesday, November 20, 2019
Friday, November 15, 2019
Thursday, November 14, 2019
six poems at BlazeVOX
“Five Letters”
“The Stranger”
“Vents”
“Petrel”
“Worn Out West”
“The Gold Man’s Mine”
are in BlazeVOX #19
Tuesday, October 08, 2019
Monday, October 07, 2019
Sunday, October 06, 2019
Sunday, September 29, 2019
renga in Berkeley Times, August 15, 2019
The Berkeley Times publishes an annual poetry issue. This year’s issue (August 15, 2019, vol. 9, no. 19) includes excerpts from the renga Alan Bern, Rebecca Radner, and I composed last fall/winter.
Wednesday, September 18, 2019
“because you can’t go everywhere without your water” at The Furious Gazelle
Friday, September 06, 2019
Thursday, September 05, 2019
Backyards: Poets for Local Change, Sept 28, Alameda
This will be the second stop on my September “Islands” tour. First Angel, then Alameda.
Backyards: Poets for Local Change
Hosted by Sharon Coleman and Jeanne Lupton
Saturday, September 28, 2019 at 7 PM – 9 PM
Free
Frank Bette Center for the Arts
1601 Paru St, Alameda
California 94501
Come join us for a poetry reading by eight incredible poets who are also dedicated to creating change locally and beyond. This is part of the ongoing 100 000 Poets for Change, a global poetry reading on the last Saturday of September.
We are also honoring Jeanne Lupton, who has spent years running the reading series at Frank Bette. She is retiring and this is her final reading.
Rohan DaCosta
Alison Hart
Glenn Ingersoll
Tobey Kaplan
Aqueila M. Lewis-Ross
Dena Rod
Kimi Sugioka
Maurisa Thompson
Rohan DaCosta is a multi-disciplinary artist from the city of Chicago, working primarily through photography, writing, and song. Rohan explores complex dilemmas, and frequencies found in lovers, in families, in ecosystems, and in places. His book of photography, poetry, and song, The Edge of Fruitvale, was published by Nomadic Press on April 28, 2018, and has been nominated for a California Book Award, a Pushcart Prize, and a CLMP Firecracker Award. His photography has been featured at The Flight Deck Gallery as a solo exhibition titled Ordinary People (2018). His photography has also been featured at Root Division Gallery as part of a group exhibition titled Let Me Be a Witness (2018). In 2018, he was awarded the Individual Artist Funding Grant by the City of Oakland for his arts exhibition, Trap : Trauma : Transformation (April 9 – May 18).
Alison Hart’s debut novel Mostly White (Torrey House Press, 2018) was praised by the National Book Award-winning author Isabel Allende as "So compelling it gave me goosebumps…” Alison identifies as a mixed race African American, Passamaquoddy Native American, Irish, Scottish and English woman of color. She is the author of the poetry collection Temp Words (Cosmo Press, 2015), a play Mother Daughter Dance, and her poems appear in Red Indian Road West: Native American Poetry from California, (Scarlet Tanager Books, 2016).
Glenn Ingersoll works for the Berkeley Public Library, hosting Clearly Meant, a reading & interview series, out of the Claremont Branch. His longest stint running a series was Poetry & Pizza in San Francisco, a monthly reading co-curated with Clive Matson and Katharine Harer, which lasted for seven years. Glenn Ingersoll’s multi-volume prose-poem-epic 'Thousand' (Mel C Thompson Pub) is available from Amazon; ebook at Smashwords. He keeps two blogs, LoveSettlement and Dare I Read. Recent work has appeared in Sparkle + Blink, riverbabble, Humble Pie, and as a Zoetic Press chapbook.
Tobey Kaplan, originally from New York City, with degrees from Syracuse and San Francisco State Universities, has been teaching in the San Francisco Bay Area for forty years. An active member of California Poets in the Schools and Associated Writing Programs, Ms. Kaplan has given readings, workshops and presentations throughout the country regarding creative process, literacy and social change. For several years, she worked with the Native TANF program/Washoe Tribe to coordinate a range of educational services and identify career building programs for the Native American community in Alameda Country.
Ms. Kaplan has received grants from the California Arts Council, 1979-1982 to serve as poet in residence at community mental health centers. Her honors include: being named Dorland Mountain Colony Fellow, honorable mention Crazyhorse poetry prize 2008 and Affiliate Artist at the Headlands Center for the Arts, as well as being the recipient of a Bay Area Award (New Langton Arts, 1996). Among her publications are: Across the Great Divide ( Androgyne, 1995). Her poems are published in numerous literary anthologies.
Aqueila M. Lewis-Ross is a multi-talented, award-winning Bay Area Native well-versed in singing, poetry/spoken word, and journalism. Aqueila has studied and performed throughout the United States, Europe, Japan, and is a graduate of Napa Valley College and University of California, Berkeley. Her book of poetry, Stop Hurting and Dance, published by Pochino Press, is a collection of stories overcoming fear, oppression, gentrification, and police brutality; she honors what it means to live with resilience, love and prosperity. She holds the titles of Ms. Oakland Plus America 2014, SF Raw Performing Artist of the Year 2015, and was an Oakland Voices-KALW Community Journalist awardee in 2016 and Greater Bay Area Journalism Awardee in 2017.
Dena Rod is a writer, editor, and poet based in the Bay Area. They run the RADAR Productions weblog and are the Assistant Creative Nonfiction Editor at homology lit. They were selected for RADAR Productions’ Show Us Your Spines Residency, Kearny Street Workshop’s Interdisciplinary Writer’s Lab, and Winter Tangerine’s Summer Writer’s Workshop. Through creative nonfiction essays and poetry, Dena works to illuminate their diasporic experiences of Iranian American heritage and queer identity, combating negative stereotypes of their intersecting identities in the mainstream media
Kimi Sugioka is a poet, songwriter and educator who tries to confront and illuminate the cognitive dissonance she experiences at every turn in society, politics and media. She has an MFA from The Jack Kerouac School of Disembodied Poetics. Publications include various anthologies: Standing Strong! Fillmore & Japantown and Endangered Species, Enduring Values, and Civil Liberties United. She has published a book of poetry, The Language of Birds, and, soon to be published, Wile & Wing.
Maurisa Thompson was born and raised in San Francisco, and is a proud alum of June Jordan’s Poetry for the People. A poet and educator, she is a graduate of UC Riverside’s MFA program and is currently teaching English at John O’Connell High School in San Francisco. Her poetry has appeared or is forthcoming in The Pedestal Magazine, The Black Scholar, La Bloga, Cosmonauts Avenue, the anthologies A Feather Floating on the Water: Poems for Our Children and En Vuelo: In Celebration of el Tecolote, and The Haight-Ashbury Journal, which nominated her for a Pushcart Prize. She has worked with arts organizations including Richmond's RAW Talent and the Gluck Fellowship program at UC Riverside. She is currently working on her first poetry manuscript that combines history and folklore with her grandparents’ stories from Louisiana and San Francisco, and a middle-grade novel exploring police brutality, which won the support of a Walter Grant from We Need Diverse Books.
Wednesday, September 04, 2019
Quiet Lightning on Angel Island, Sept 15
I will be reading an excerpt from Autobiography of a Book at the next Quiet Lightning event, Poetry in the Parks.
Here is what looks like pretty darn complete information as copied from Quiet Lightning’s event announcement on Facebook: https://www.facebook.com/events/585757751951570/
Poetry in Parks 2019:
Quiet Lightning on Angel Island
open to the public
Hosted by Quiet Lightning and Kearny Street Workshop
Sunday, September 15, 2019 at 11:30 AM – 4:30 PM
- Youth readings
- A literary mixtape curated by Katie Tandy and July Westhale, with all work published in sPARKLE & bLINK 101 featuring art by Connie Zheng:
Norma Smith » David S. Maduli » Kate Hoyle » Syche Phillips » Abigail Licad » Julia Halprin Jackson » Johnny Alvarez » Glenn Ingersoll » Linette Escobar | Maddy Raskulinecz » Donna Laemmlen » Peter Bullen » Christina Newhard » Cassandra Dallett » Eric Darby » C.E. Shue » Kevin Dublin
- Neighborhood Heroes, with readings by Kirin Khan, Genny Lim, Kenji C. Liu, Janice Lobo Sapigao, Truong Tran, Flo Oy Wong, and others TBA, curated by Kearny Street Workshop
- Music by Cindy Z
- Live painting by Joshua Coffy, Nathalie Fabri, Dilcia Giron, and Allison Snopek, curated by ArtSpan
:: For links and more information ::
--
About Quiet Lightning
Now in its 10th year, Quiet Lightning is a San Francisco-based literary nonprofit with the mission to foster community based on literary expression and to provide a safe and supportive arena for said expression. Its flagship is the literary mixtape, a submission-based series with a completely blind selection process and different curators for every show, for which there are no introductions or banter. The shows are published as books, handed out free to the first 100 people at each show. All participating artists are paid and the shows are free to attend. We’ve now produced 126 shows, featuring 1,200+ readings by 900+ different authors in 80+ venues and 100+ books. Quiet Lightning also maintains Litseen.com, a daily calendar of literary events. For more on QL: http://quietlightning.org/about/.
About California State Parks
The mission of CA State Parks is to provide for the health, inspiration and education of the people of California by helping to preserve the state’s extraordinary biological diversity, protecting its most valued natural and cultural resources, and creating opportunities for high-quality outdoor recreation. For more on California State Parks: https://www.parks.ca.gov/.
About Kearny Street Workshop
Founded in 1972, during the height of the Asian American cultural movement, Kearny Street Workshop (KSW) is the oldest Asian Pacific American multidisciplinary arts organization in the country. We offer classes and workshops, salons, and student presentations, as well as professionally curated and produced exhibitions, performances, readings, and screenings. KSW makes artists out of community members and community members out of artists. For the past 45 years, KSW has nurtured the creative spirit, offered an important platform for new voices to be heard, and connected artists with community. For more on Kearny Street Workshop: https://kearnystreet.org/.
About ArtSpan
ArtSpan believes in the power of art to enrich lives. For 20-plus years we’ve championed an inclusive art experience and provided diverse audiences with an authentic connection to local art and artists. We support emerging and established artists who contribute to San Francisco’s inimitable creative energy, while bolstering the next generation of artists and encouraging the public to engage in preserving and furthering our vibrant art community. For more on ArtSpan: http://artspan.org/
With crucial support from SOMArts Cultural Center
SOMArts leverages the power of art as a tool for social change through multi-disciplinary events and exhibitions. Equipping artists with the space, mentorship and support they need to shift perspectives and innovate solutions, SOMArts fosters access to arts and culture for collective liberation and self-determination. For more on SOMArts: http://somarts.org/.
:: Ferry information / to get to the event ::
> There are two ferries departing for Angel Island: from San Francisco at Pier 41, starting at 9:45am ($19.5 round trip, takes about 25 min); from Tiburon, starting at 10am ($15 round trip, takes about 15 min).
> It’s suggested you arrive at least 20 minutes early.
Tiburon accepts cash and checks only, though you can purchase the SF tickets in advance.
> Once you arrive on Angel Island, you will see signs and Quiet Lightning greeters, but to get to the event site you simply take a right when you disembark from the ferry, and walk around the cove until you get to the picnic tables. It’s about a quarter of a mile walk on a flat surface.
> Accessibility is important to us! If you have any special needs, please email evan@quietlightning.org and we will do our absolute best to accommodate you.
:: Other possibly helpful information ::
> You are welcome to bring snacks, though there is a cafe on the island and we will have draft beer available for purchase, courtesy of Lagunitas. There are water fountains with potable water at the event site.
> Seating consists of wooden picnic tables, so if you have a cushion, a folding chair, or a blanket you’d like to bring, there’s plenty of space for it. If you need a seat, please email evan@quietlightning.org no later than 48 hours before the event and we will do our absolute best to accommodate you.
> Dogs are not allowed on the island, service animals excepted. This does not include the use of emotional support animals which are not covered by the Americans with Disabilities Act (ADA)
> More information to be added here, but if you have any questions at all please direct them to evan@quietlightning.org.
see also: http://quietlightning.org/?fbclid=IwAR1pHbxJrWOFW0Fpo2SOEGUND_O-fB4dOAbaTn4cEbvNniLinnkze5fv6f4
at that link we get some statistics:
* For the literary mixtape, they say they received 85 submissions and accepted 17 (20%). Of those:
- 8 have never read at Quiet Lightning before (47%)
- 7 are returning (53%):
- Norma Smith (2)
- Julia Halprin Jackson (5)
- Johnny Alvarez (1)
- Glenn Ingersoll (2)
- Linette Escobar (4)
- Donna Laemmlen (2)
- Peter Thomas Bullen (20)
- Cassandra Dallett (20)
- C.E. Shue (2)
As you can see, I’ve read with QL twice before, though I have applied and not been chosen many times. I’ve enjoyed my prior QL experiences and I’m looking forward to doing it again.
And for those writers who haven’t been in the mix, if you can ask yourself, “Do I write like Cassandra Dallett &/or Peter Bullen?” and answer, “Well, yeah, more or less,” and you aren’t applying to QL, you’re leaving money on the table, man.
Video of my reading is viewable at YouTube.
[post updated with YouTube link, 12/22/23]
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