Tuesday, January 25, 2022

“Art” at Rejection Letters

The poem

“Art”


appears at Rejection Letters.


The editors, on how the ezine came about:

“Rejection Letters was founded in April 2020 by D.T. Robbins. It was kind of a joke at first. “Let’s publish fictional rejection letters!” Of course, this was after getting, like, four or five rejection letters in one day. Because rejection letters suck, even if they’re warranted. We all cope in our own weird ways. But then it became something else, something I’m not too sure how to describe, to be honest.”


It may have started as a lark, but it’s going strong. 

Monday, January 24, 2022

“In Beauty” at flux

The poem

“In Beauty”

appears in flux


Fifth Wheel Press calls itself “an independent community-focused publisher of art and writing by queer, trans, and gender non-conforming creatives.”

Sunday, January 23, 2022

three poems at inksac

Three poems are up at inksac:

“Things in Their Poses”

“There Yet”
“Sounds Like”


The editors at Cephalo Press describe their mission:

“At heart, we’re interested in literature that explores the highs and lows of human experience. … Our aim is to publish work that resonates with people, questions societal beliefs, pushes boundaries, and makes people think. We want to publish brave, often experimental works, that sit proudly outside mainstream publishing.”

Tuesday, January 11, 2022

“Renga of Haiga” at Arteidiolia

Alan Bern, Rebecca Radner, and I collaborated on a photo/poetry piece. We’ve collaborated before on renga, but this is the first time we included (and responded to) photographs. The editor of Arteidiolia wanted to publish our “Renga of Haiga” (renga being a haiku chain; haiga being a combination of haiku and image), but he only wanted excerpts. Alan, Rebecca, and I decided we were okay with that. Just one of the photos is mine. The accompanying words are more of a mix of contributions. 

“Renga of Haiga”


It turned out well, I think. 


Tuesday, January 04, 2022

“I’m Not Waiting” at New Note Poetry

“I’m Not Waiting” appears in the first issue of New Note Poetry. Scroll down to page 20 (or maybe 21, depending on viewing platform).

The issue published to the web on December 31st. So I included it on my list of 2021 publications. 


Editor Nathan Nicolau writes, “One day, while listening to Blue Note jazz records and admiring their sound and album artwork, an idea dawned … : What if I could do this but with poetry?”

Monday, January 03, 2022

new year’s resolutions

The pandemic continues, so the opportunities for in-person engagement continue to be limited. I can send out copies of “Thousand” to people I like/admire, a project that doesn’t require spending time in company. It would be nice to do more of that, but I do what I can. (Yes, this is a standard script.) I did one Zoom reading in 2021. I suppose I could look for more zoom opportunities this year.

My two book-length manuscripts are out to publishers. My poetry manuscript (currently titled “Nobody You Know”) is out to one, and has been rejected five times since 2017. “Autobiography of a Book” is out to nine, has been rejected 12 times, also since 2017, though most were just in the past year, which means I’m keeping things moving. There are publishers who will consider prose without a reading fee. It’s a struggle finding any poetry publishers who will. After an ezine editor told me he sent his first novel to 100 publishers, I set a goal of 100 for my manuscripts. I’m 20% of the way there with “Book”. 


My thoughts on reading and contest entry fees would be a screed for another day. 


There was talk at the library of restarting programs. But that was before omicron, the latest covid variant. We’re back to wait-and-see. I miss both my poetry programs, the Poetry Circle and Clearly Meant. In 2021 I finally got permission to post the Clearly Meant videos on the Berkeley Public Library YouTube channel. I have one or two more to edit and post. 


I will continue to put together new batches of poems to send out, and continue to circulate those that haven’t yet placed. In order to reduce the power of rejection I hadn’t been keeping track of rejectors. It’s come to the point it’s more helpful to know where pieces have been than to shield from my tender view the gruesome pile up. 


#keepyournumbersup … Rather than the goal being to get into any particular venue or achieve a certain number of acceptances, I make the goal pure numbers. I let the number be vague, but more is better. This is really the only aspect of the process the supplicant has control over. No control over length of time editors take, no control over their responses (if any). So worrying about such things is not fruitful. Worry takes energy, and if I have energy, it’s better to use it sending work out. 


One thing happened in 2021 that I didn’t foresee. “Thousand” got taught. Two writing teachers included “Thousand” in lesson plans. Both told me that their students were intrigued by the method of composition (100 words a day for a thousand days). I don’t know how one might follow up on that. But things happen that surprise you.


What more to look forward to in a new year — nurturing/enjoying relationships, travel, reading, writing, healing.


It’s been a sunny 2022 so far. Nice, as we always say in California, but we need the rain.

Sunday, January 02, 2022

2021 in publications

A quick list of the places that included something of my work in 2021:

bottle rockets

Soul-Lit

Chronogram

Haight Ashbury Literary Journal

fresh.ink

Second Chance Lit

Last Leaves

brass bell

ubu

GAS

Mercurius

The Sparrow’s Trombone

Unlikely Stories

Heliosparrow

New Note Poetry


placed in single poem contest:

DiBiase Poetry Prize runner up


readings:

for the 50th anniversary of their fan fiction annual, Oziana, I read a short story

Bird & Beckett series hosted by Kim Shuck 

Berkeley Public Library Clearly Meant reading & interview series hosted by Glenn Ingersoll (years of videos finally available on BPL youtube channel)


in classes:

two writing teachers included Thousand in their lesson plans