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nervousness, maybe because. No, it couldn’t be because anybody said anything funny. “Go ahead,” the thing says after a silence. “Go on in.” “I thought you wanted to go in.” The thing laughs again, longer this time, and the girl doesn’t. “Are you afraid?” the thing asks. “Of you?” “Of anything?” “I guess I’m afraid of tigers,” the girl says. The thing stands up on those weird gangly legs and walks past her, the girl turning so it doesn’t get behind her. It settles down. “There’s no one left at the dormitory, you know,” it says. “What makes you think

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stump with a spatula. The head might have been a tree stump charred in a wildfire which someone fancied looked like a head and said, “Hey, let’s put it on top of this roadkill skunk and call it Pinocchio.” “You’re wrong about everything,” the odd thing says. The girl sneers, “Yeah? What are you, just another complainer? There’s this room here, seems to be empty, could use a complainer, it’s a complainer apartment, give you a good deal on it.” The odd thing laughs, not quite a merry laugh, but not entirely calculated. The girl laughs, too, maybe out of

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“I will never get anywhere in life. People hate me. I hate people. Everything is wrong. Wrong wrong wrong.” The girl looks over her shoulder. A black thing is sharing the hall with her. It’s about the size of a foot stool. And it’s looking at her. “Wrong girl. Wrong day. Wrong way out.” “It was you who spoke,” the girl says to the thing, which moves a little closer on legs long and knobby that immediately disappear under it when it stops moving. “You’re wrong,” agrees the mouth, which looks like it’s been dug out of a mouldy tree

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cranks up the noise. “I am so miserable. I am always so miserable. I have been condemned to be miserable for all eternity.” All fucking eternity. The girl sighs. Maybe that’s the job description, that’s the help wanted ad they answer. Seeking Persons All Varieties of Unhappy to Stand in White Rooms and Complain. Is the pay good? Aren’t they animatronics or something? They don’t really seem human. But what they say, yeah, that’s familiar. Your mother, that boyfriend who turned out to be as fun as quicksand, those days you couldn’t get out of bed. You’ve heard those words.

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The hall the girl moves through on her duties has always been dim, and stepping into one of the white rooms a blast of brilliance, however monotonous or irritating that which the light embraces. The fogged-out room retains this brilliance, if it has lost all detail. When she pushes the door a little, teases the fog or herself with a sliver of egress, the gap is also a line of light. The hall is quiet. Standing directly under one of the fluorescent tubes in a ceiling fixture the silence is bothered by a faint buzz. Opening one of the rooms,

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this door open, what will happen. The fog will roll out into the hall. You won’t be able to see where you are. Where will it stop. Will it swallow the world. The girl leans her head against the door. Can’t hear anything in there. No draft coming out. Try again. Go find the overseer. The overseer will know what to do. She’s the one opening the boxes, letting the fog out. Maybe she’s lost in the fog herself. Maybe maybe maybe. Who knows what’s going on. Right. Not me, the girl thinks, even managing a chuckle at the thought.

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the white boxes. The door whuffs shut. Right. What to do now. Go back in. Forget it. Go back to the dorm. She gingerly pushes the door again, not noticing she’s holding her breath. The room’s are always painted white, white linoleum, white plastic trash can liners, white upholstered stools, it might just be nerves. Right. Seeing things. Seeing nothing. She continues very slowly to push the door into the room. The white box lets it out. That’s what happens after awhile. You leave the white box open and the fog comes out, fills up the room. If you leave

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stool. The girl expected the overseer to address her, of course, to nod at her, to scowl at her. Why did the overseer ignore her? It couldn’t be she wasn’t seen. That’s crazy. Maybe the overseer didn’t say anything because. The girl tries to think of a reason. Unable to dredge one up that doesn’t seem about as mysterious as no explanation at all, the girl glances once more up and down the hall, then pushes the door. The room is empty. Or something. Or nothing. She jumps back, gasping. The room is as empty, as fogged-in, as any of

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bites her lip. Right. The hair that’s in the jacket. That single suspicious black hair stiff as a bristle that the girl retrieved from the top of the cabinet in a pristine white room. She was trained to watch for stuff like that. Something that’s not supposed to be there. She is to bring it to the attention of the overseer. Didn’t the overseer see her when she came into the room? The girl was standing on a stool, not the sort of thing you’ll see in one of these rooms, a girl in a keykeeper uniform standing on a

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in a circle, meet itself. Considering how little different each room is, how similar the complaints of the residents, will she even recognize it if her visits begin to repeat? She entered from a door on the right. Right. There isn’t one visible just ahead, but for every ten doors on the left, one will appear on the right. Maybe it’s time for her to go back to the dormitory. She will get in trouble for losing her jacket, of course. The hair. That would show the overseer she. The hair that’s in the envelope. In the jacket. The girl

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into the room she takes another breath and lets it out. Remember to breathe. If your heart races you can only do so much to calm it. But if you concentrate on the breath, you can gain some control. The hall is quiet. She can’t hear the bountiful soliloquies of any of the occupants of the rooms. She can’t see the overseer. But then, the hallway curves gradually to the left and whatever is four doors ahead is out of sight. It’s enough of a curve, the girl thinks for the first time, that it ought to come back around

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on her knees for further examination. She goes on to the next room. Where things are the same, though the monologue is louder, and the words slurred. The girl is hurrying now, pushing open the door to each room just long enough to glance into the corner and see the white box’s lid is up. When the girl realizes she is becoming frantic, terrified at seeing that unvarying sight that up to today she has never seen, she stops herself at a door. She breathes deeply, trying to force away the panic. “That’s better,” she says, lying hopefully. Before looking

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correct her, so he can see the error in her ways and mend them.” “I thought you said he sees all,” the girl says on the way out the door. She doesn’t care if the creature tries to argue with her. But she’s not going to try pushing it over. One attempt at that is plenty. The occupant of the next room is mumbling and only when the girl passes by its elbow does she catch a few words. “Clean start over every little bit helps.” The white box on the floor is open and fog-filled. She doesn’t get down

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by.” The girl gets up off the floor, slaps dust off her knees, though there isn’t any, and straightens the creases of her pants. “She will do this, what he has told her to do. It doesn’t matter what she thinks. Her thoughts are his thoughts. She sometimes forgets and does something else and goes to him and tells him what she has done, as she does every day, even though he knows everything, even though he sees all, she tells him everything she has done that day, she is to keep track for her own practice, so he can

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that what she usually does? “When the student is ripe the teacher will pluck her!” The girl jumps, then shakes her head. The figure in each room doesn’t talk all the time, but they drone on when they do talk and the girl rarely pays them much attention. She looks up at this one. Its suddenly speaking was a surprise is all. “The teacher will bite her, bite deep into her rosy skin, exposing her flesh. Bite deep, exposing her core, the very heart of her, where her future lies, and he will drop words in, words she will live

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left holding her jacket that she wants to rush up and snatch it back. But this one’s arms are slack at its sides. The girl even glances at the floor to see if the jacket is lying there, dropped when the figure lost interest. But, of course, nothing but the reflection of flourescent light glares back at her from the tiles. The girl steps around to the white box, fishing out her gold box as she kneels. The lid is up. Inside, as in the last room, the box seems filled with nothing. The overseer must have opened it. Is

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on with her rounds, if she pretends nothing’s happened. What has happened? She’s lost her jacket. Anything else? The keykeeper overseer came into a room and removed an object from a white box, a box, the girl only a minute prior, had prepped with an ant. The girl has never seen that before. She’s never had a look into one of those boxes, either. Seems there’s nothing to see, yeah? It’s a mite chilly without the jacket. The girl goes on to the next room. When she opens the door the naked figure looks so much like the one she

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of the cabinet. She put it an envelope. The girl draws out the contents of her pants pockets and checks them over. Her blouse, buttoned up to her throat, has no pockets, but she pats herself to make sure no envelope slipped in during the struggle. Not that it was a struggle. A brief capture, followed by an escape. The envelope must still be in the jacket. She glances at the door. Going back in is not something she wants to do. Maybe she can go back later. The room’s occupant probably will forget all about her. If she goes

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its usual routines have been interrupted. It doesn’t have an automatic next thing to do or say. The girl unfastens the buttons of her jacket and slides out of it, leaving the jacket hanging from the creature’s hand. She retrieves a few things from the pockets, the gold box with the ants inside, a placatory erector, her notes from the last meeting, coins, and the map. “I’ll leave you the glossary,” she says. “You might learn something.” She sidles around the unstirring figure and pushes open the door. In the hall she remembers the hair she recovered from the top

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have been cut and there’s no communication between mind and face. The only indication that something has changed is the lack of change. The grip on the girl’s jacket has pulled her to her toes. The grip does not loosen. She tries to lower her heels but the arm holding her up remains rigidly at that height. The mouth is open, if a bit less. No more drool has slopped out. “My name is Lou,” the girl says, softly this time but firmly, recognizing that this statement has found a place inside the troubled creature, has surprised it, perhaps, and